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My Review of Notting Hill.
Movie Title: Notting Hill Notting Hill is available for streaming or downloading. |
Let me honest say that I’m not particularly a Julia Roberts fan. So when my wife asked to go survey Notting Hill in the theater, I politely declined… but I figured that I’d give her a suprise and purchase the DVD for her. Well, I sat and watched it with her, and was pleasantly suprised, myself!
Set in the real-life Notting Hill piece of London, this VERY fairy-tale memoir is filled with moments of lawful belly-aching laughter, painful heartbreak, and one savory “car drag.”
Julia Roberts portrays Anna Scott, a fifteen-million-dollar per narrate movie actress who gets tangled in the trappings of cherish with William Thacker, a bumbling, but likeable book-shop owner convincingly played by Hugh Grant. Notting Hill wastes no time in setting up this premise and rockets off from there. The film moves along at a well-behaved slump and only has one noticible stupid place. The music chosen to accompany the film is beyond perfect. Peer the hide closely when you hear “Ain’t No Sunshine” by Bill Withers.
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I would be remiss if I did not mention “Spike”. Rhys Ifans plays Spike, William’s very strange, very Welsh flat mate. You can’t support but laugh every time he’s on the shroud. Luckily, the director and editor didn’t over-do Spike’s antics, so we can truly devour the moments when he’s on.
The Collector’s Edition goodies get the DVD a just gem and a gargantuan bargain. The musical highlights let you snappy jump into the middle of the movie to savor a song while watching the movie roll. (After you’ve watched the movie, go fetch “Ain’t No Sunshine”!) The deleted scenes give a perceive of what could have happened in the film. After watching, I’d say that I agree with the director’s choice of endings.
This movie proves that romantic comedies can detached be done well… and you don’t have to have Tom Hanks and Meg Ryan to do it.
Hugh Grant’s role as Move Book Shop employee William Thacker reprises the same haunted, humble, lovable, but lonely character with a shrimp group of friends that made him a star in Four Weddings And A Funeral. That may be because Notting Hill, like FW&AF, was written by Richard Curtis. “And so it was another hopeless Wednesday when I walked a thousand yards to work, not suspecting that this was going to be the day my life would be changed forever.” In two words, that catalyst is Anna Scott, currently one of Hollywood’s biggest stars, who is promoting her latest film Helix, a sci-fi film whose costume develop and one interior setting owes a nod to Kubrick’s 2001. She happens in his bookshop, but that first meeting sets off a series of meetings where they use time with each other.
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Eccentric barely describes Spike, his Welsh roommate with a shock of wild blond hair. Never have I seen a more amusing opposites since Felix and Oscar of the Curious Couple. Spike is clearly the Oscar of the pair, but then again, I doubt if Oscar would have weak a T-shirt saying, “Regain It Here”, with an arrow pointing downwards, or unwittingly mistake mayonnaise for yogurt.
In the course of meeting Anna, he in turn introduces her to his miniature group, including a married couple, Max and Belle, the latter in a wheelchair, a stockbroker named Bernie, and William’s wild-looking sister Honey, whose bulging eyes and feathery hair makes her nevertheless lovable in a different sort of plot.
However, they live in two different worlds. As William puts it, “I live in Notting Hill, you live in Beverly Hills.” Both have different schedules, lifestyles, and perspectives on things. Yet his inner smile lights up whenever she pops in and spends some time with him. And applying a metaphor broken-down, Anna is a goddess. “You know what happens to mortals who regain enthusiastic with the gods? ” That’s abominable for William, who confides in Spike that it’s like “taking appreciate heroin and I couldn’t have it again. I’ve opened Pandora’s Box and there’s grief inside.”
Anna is a typical box-office arrangement who has to build up with the tail side of the fame coin. The many boyfriends, the laying out of her private life in the tabloids, but also how she’s unable to live an ordinary life and how she has to keep up with unkind words, as when she overhears a group of businessmen saying how actresses are equal to prostitutes and that she is the definitive actress. Ouch! But despite the fame, in the kill, she’s “honest a girl asking a boy to like her.”
The one pullback aerial shot that has the couple approaching the bench dedicated to a loved one, while Ronan Keating sings Keith Whitley’s “When You Say Nothing At All” was a perfect combination of stout camera work enhanced by a haunting worship song.
Hugh Grant has another winning role and seems to have the knack of starring opposite substantial female leads and being compatible. Be it Andie McDowell (Four Weddings) or Emma Thompson (Sense And Sensibility), he does himself and Julia Roberts tall credit. After seeing this at the theatre when it first came out, I sighed with relief that I finally found the most charming movie with Julia Roberts since Graceful Woman. All the actors portraying Williams’ minute circle also lend gargantuan assist, but Rhys Ifan steals the present as the unfamiliar Spike. Those who liked Four Weddings will definitely go for Notting Hill, which has a tad more sweetness, like apricot and honey.
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